Kahaani

About the film

Kahaani (IPA: [kəˈɦaːni]; transl. Story) is a 2012 Indian Hindi-language vigilante action thriller film co-written, co-produced, and directed by Sujoy Ghosh. It stars Vidya Balan as Vidya Bagchi, a pregnant woman looking for her missing husband in Kolkata during the festival of Durga Puja, assisted by Assist Sub-Inspector Satyoki "Rana" Sinha (Parambrata Chatterjee) and Inspector General A. Khan (Nawazuddin Siddiqui).

Made on a budget of ₹80 million (US$840,000), Kahaani was conceived and developed by Ghosh, who co-wrote the film with Advaita Kala. The crew often employed guerrilla-filmmaking techniques on Kolkata's streets to avoid attracting attention. Its creative portrayal of the city and its use of local crew and cast made it a notable film. Kahaani explores themes of feminism and motherhood in a male-dominated Indian society. The film also makes several allusions to Satyajit Ray's films, such as Charulata (1964), Aranyer Din Ratri (1970), and Joi Baba Felunath (1979). The film's musical score and soundtrack were composed by Clinton Cerejo and Vishal–Shekhar respectively, with cinematography handled by Setu and editing done by Namrata Rao.

Plot

A poison gas attack on a Kolkata Metro Rail compartment kills all the passengers on board. Two years later, Vidya Bagchi (Vidya Balan), a pregnant British-Indian software engineer, arrives in Kolkata from London during the Durga Puja festivities in search of her missing husband, Arnab Bagchi. A police officer, Satyoki "Rana" Sinha, offers to help. Although Vidya claims that Arnab went to Kolkata on an assignment for the National Data Center (NDC), initial investigations suggest that no such person was employed by the NDC.

Agnes D'Mello, the NDC's head of human resources, suggests to Vidya that her husband resembled former employee Milan Damji, whose file is probably kept in the old NDC office. Before Agnes can provide any further help, she is killed by Bob Biswas, an assassin working undercover as a life insurance agent, at the entrance of her house. Vidya and Rana break into the old NDC office and find Damji's file, barely escaping an encounter with Bob, who is sent to search for the same information. Meanwhile, the attempts to obtain Damji's records have attracted the attention of two Intelligence Bureau officials in Delhi—the chief Bhaskaran K. and his deputy Khan. Khan arrives in Kolkata and reveals that Damji was a rogue IB agent responsible for the poison gas attack. Despite Khan's warnings, Vidya continues her search, fearing that Arnab's resemblance to Damji may have led him into trouble.

The address on Damji's record leads Vidya and Rana to a dilapidated flat. An errand boy from the neighbourhood tea stall identifies R. Sridhar, an NDC officer, as a frequent visitor to Damji's flat. Bob attempts, but fails, to kill Vidya and is soon run over by a truck during a chase. Examination of Bob's mobile phone leads Vidya and Rana to an IP address, sending instructions to kill her. They break into Sridhar's office to verify his IP address, but he is alerted electronically and returns to his office. Vidya accidentally kills Sridhar during a scuffle, which upsets Khan, who had wanted him alive.

Production

Sujoy Ghosh approached novelist and script writer Advaita Kala with the idea for the film. Kala took inspiration from her experience in Kolkata, where she had moved in 1999, akin to the protagonist in the film. She reported that despite facing a language barrier and the chaos and poverty of the metropolis, she was charmed by the warmth of the people, which was reflected in the film. Kala started writing in 2009 and finished the 185-page script by February 2010. Her research included reading the books Open Secrets: India's Intelligence Unveiled by Maloy Krishna Dhar and India's External Intelligence: Secrets of Research and Analysis Wing (RAW) by V. K. Singh.

Ghosh, who co-wrote the story and the screenplay, began to plan the film while awaiting the release of his previous film Aladin (2009), but the dismal response to Aladin was a setback. He had to approach several producers to finance him for Kahaani, but was refused and discouraged from making the film owing to three factors: a pregnant woman as the lead star, a bunch of unknown Bengali actors as the supporting cast and Kolkata as a backdrop. Yashraj Films were willing to produce the film, but wanted Ghosh to sign a three-film deal, which he declined because he did not want that much commitment.

Bengali film actor Prosenjit Chatterjee encouraged Ghosh to shoot in Kolkata. Ghosh finally selected Kolkata for several reasons: the director's acquaintance with the city, its mix of modernity and old-world charm, and budget constraints. Kolkata is a cheaper location than Mumbai or Delhi, where most Bollywood films are shot.

Themes and influences

After Ishqiya (2010), No One Killed Jessica (2011) and The Dirty Picture (2011), Kahaani was Vidya's fourth woman-centric film to win widespread praise for her unconventional approach to portraying strong female roles. According to Zee News, Kahaani is a woman's film about "role reversals, breaking of stereotypes, turning clichés inside out, a woman's journey, and the way she carves a niche for herself in the male-dominated mentalscape of the society." Trisha Gupta of The Indian Express also finds feminist themes in the film. For Ghosh, one aspect of his project "is a study of motherhood"; the instinct of a mother to protect her baby inspired him to develop the story.

Key details