Shool

About the film

Shool (transl. Spike) is a 1999 Indian Hindi-language action drama film directed by Eeshwar Nivas. Written and produced by Ram Gopal Varma, it portrays the politician-criminal nexus and the criminalization of politics in Bihar and its effect on the life of an honest police officer. It stars Manoj Bajpayee as Inspector Samar Pratap Singh and Sayaji Shinde as the criminal-politician Bachhu Yadav.

The film won National Film Award for Best Feature Film in Hindi. Shool was featured at the International Film Festival of India, and the Toronto International Film Festival. It went on to gather a cult following over the years.

Plot

The film opens with a late-night telephone call from Patna asking to speak to Bachchu Yadav, an MLA of the ruling political party in Bihar. His lackeys trace their boss to a prostitute's abode, where he receives the telephone and is informed that his party has selected another MLA for the ticket this time. He wastes no time, reaches the newly selected MLA candidate's home, and pressures him to give up his nomination in lieu of money. When intimidation fails, his thugs stab the MLA-candidate under his supervision.

Meanwhile, Inspector Samar Pratap Singh arrives in Motihari, Bihar, where he has been transferred to, with his wife Manjari and daughter. At the railway station, he gets into a confrontation with a coolie. The two have a tiff on the payment of Rs. 30/- to be paid to the coolie for his services, which Singh refuses to pay, as he (rightfully) thinks he is being overcharged. As the situation goes to the verge of fisticuffs, a local police hawaldaar intervenes. Not knowing that Singh, too, is a police officer, the hawaldaar tries to manhandle Singh. Infuriated, Singh takes the matter to the police station to which he is posted. As Singh writes a complaint against the hawaldaar for harassing an innocent local (Singh), a sub-inspector, Hussain, intervenes. Hussain asks Singh to forgive the hawaldaar, to which Singh does not relent. Singh later learns that the Motihari police station runs according to Yadav's whims. Singh is an idealist who respects the constitution and the rule of law, and expects that everyone else should do the same. But no one follows the law in Motihari, especially the policemen who receive hafta (illicit weekly payments) from Yadav to do his bidding.

One day, the D.S.P. asks Singh to break up a fight between two rival gangs and arrest the people who attacked some of Yadav's men. Singh investigates and finds out that Yadav's men are the real culprits. Among them are Sudhir Vinod and Lallan Singh, so Singh arrests them instead. When the D.S.P. orders Singh to release them, he refuses, saying that he has already registered the case. This is the first time Singh's superior learns of his real character and expresses concern over his future. Sub-inspector Hussain, who shamelessly admits to subjection to Yadav, declares that Singh won't last long in his current job if he continues in his ways. Singh sadly learns the limit of his official prowess when the court releases Yadav's men.

Production

Shool was shot in Motihari, Bettiah, Bhopal, and Hyderabad.

The climax of the film was shot at the state legislative assembly premises of Hyderabad, and Bhopal. The casting of the film is done by Varma and Kashyap.

Reception

Anupama Chopra of India Today wrote, "Shool is pacy, has a dollop of music and crisp dialogues written by Anurag Kashyap. But it isn't the pathbreaker that Zanjeer and Ardh Satya were. Because it is utterly predictable. The story about an honest policeman has been worn out by Hindi cinema. Shool doesn't take the premise further." Anil Nair of Rediff.com wrote, "In the end one can only say that Shool is for the most part a slovenly film and its politics fuzzy, but there is a vitality to the fuzziness. Not something every Hindi movie can claim." Bella Jaisinghani of The Indian Express criticised the violence in the film by writing, "The heavy overdose of violence would only appeal to those struck by the Satya Syndrome. The rest of the audience would want to shut its senses to the assault being inflicted on it."

In a retrospective review in 2018, Anvita Singh of The Indian Express wrote, "Eeshwar Nivas’ direction is decent, and the script, okay, but it could have gone down the hill had Manoj Bajpayee not been there. Sayaji Shinde as Bacchu Yadav also puts up a solid act as the crooked and scheming politician, but it's Manoj's performance as the fair police officer that escalates the movie."

Key details