Raajneeti

About the film

Raajneeti (transl. Politics) is a 2010 Indian Hindi-language political thriller film co-written, directed and produced by Prakash Jha, with a screenplay by Anjum Rajabali and Prakash Jha. Depicting an archetypal conflict between rival political families and parties, based on the Mahabharata, the film starred an ensemble cast of Ranbir Kapoor, Nana Patekar, Ajay Devgn, Katrina Kaif, Arjun Rampal, Manoj Bajpayee, Sarah Thompson and Naseeruddin Shah. It is produced by Prakash Jha Productions and distributed by UTV Motion Pictures and Walkwater Media.

Raajneeti was shot extensively in Bhopal. The title, which translates literally as "Politics" and contextually as "Affairs of State," was promoted with the tagline "Politics and Beyond..."

Plot

Bharti Rai, the daughter of Ramnath Rai, a prominent politician, has an illegitimate son with a rival leftist leader, Bhaskar Sanyal. The son is abandoned by Brij Gopal, Bharti's brother. Bharti is married to Chandra Pratap, the younger brother of Bhanu Pratap, leader of the Rashtrawadi Party.

The minority state government collapses when the Rashtrawadi party withdraws its support. Bhanu Pratap suffers a stroke and hands over power to Chandra Pratap. Chandra's elder son, Prithvi Pratap, tries to take advantage of his father's power, which results in a clash with his cousin, Veerendra Pratap. For the upcoming midterm polls, Prithvi rejects the nomination of local leader Sooraj Kumar, who is chosen by the common people. Sooraj gets Veerendra's support instead. Unknown to all, Sooraj is Bharti's abandoned son, who was found and brought up by the Pratap family's driver Ram Charittra and his wife. When Sooraj demands a candidacy in the elections, Brij Gopal shrewdly nominates his father Ram. Chandra Pratap's younger son, Samar Pratap, returns from the United States. His childhood friend Indu proposes to him, but he declines.

In order to regain his power and be the chief-ministerial candidate in the state assembly election, Veerendra has Chandra Pratap assassinated and Prithvi is arrested. Superintendent of Police (SP) Sharma, under Veerendra's influence, presses rape charges against Prithvi. In order to bail him out, Samar promises Veerendra Prithvi's resignation. However, Samar and Prithvi begin rallying public support. The bedridden Bhanu Pratap expels Prithvi, who forms the new Jana Shakti party. To raise funds for the new party from Indu's industrialist father, Samar ensures Prithvi's marriage to Indu against her will. Meanwhile, Samar's American girlfriend Sarah arrives in India to meet him.

Reception

Mayank Shekhar of Hindustan Times rated it 3/5 and criticized saying, "There's a reason Mahabharata was a television series. Shyam Benegal could brilliantly adapt it around India’s corporate boardroom, only for his contained minimalism (Kalyug (1981)). What you sense here instead then is an over-dramatic, over-written screenplay: an over-boiled egg." He said that the sub-plots of various characters have an awkward conclusions. He compared Jha's earlier films Gangaajal (2003) and Apaharan (2005) and remarked that they are "finely focused works" in comparison to Raajneeti. Nikhat Kazmi of The Times of India rated it 4/5 and said, "The film basically anchors its plot in two classic tales — The Mahabharata and The Godfather (1972) — to create an engrossing diatribe on India's political system where democracy may prevail, but not in its purest form." Anupama Chopra of NDTV rated it 3/5 and said "Jha creates a real sense of the machinations and sordid deals that fuel politics but then hobbles it with outlandish twists and some decidedly 'filmy' moments".

Rajeev Masand of CNN-IBN rated it 3.5/5 and said, "In the end, Raajneeti is thrilling and gripping for the most part, even though it does lose steam in its final act. And as far as politics goes, it doesn't tell you very much more than you didn't already know." He continued, "For the superb acting, and for the exciting dramatic highs, it's a film I recommend you do not miss." Raja Sen of Rediff.com gave a 1.5 out of 5 star rating explaining that it is "essentially Sarkar Raj (2008) minus Amitabh Bachchan, is a hyperactive drama given to much yelling and little thought. The screenplay is weak, manipulative and every possible kind of lazy, with an omniscient narrator who vanishes after a while, a slew of unbelievably one-note characters, clunky dialogue that often lapses into something from period cinema, and bloody deaths thrown in every few scenes to kickstart the drama in this exhausting 3-hour film."

Rachel Saltz of The New York Times said, "Raajneeti, with its large cast of characters and wealth of subplots, is often a mess, but an interesting one." She also said, "The film – full of romance, intrigue and fraternal strife – is too diffuse to score political points. Or to have much impact." Robert Abele of the Los Angeles Times found that while it aimed "for something trenchant about thwarted destiny and ugly ambition in modern Indian democracy", it "mostly winds up with a convoluted and tonally awkward Godfather rehash, with nary a character worth rooting for" and that "Kapoor's performance is stony rather than calculating...." Frank Lovece of Film Journal International said, "More pulpy than political, this Godfather-ripoff Hindi electoral drama is a candidate for oblivion in U.S. theatres. ... It all eventually becomes so ridiculous and over-the-top violent that there is nobody, nobody, to root for."

Key details